Mehazabien comes back to Eid dramas after two years

Entertainment Report :
In a much-anticipated comeback, popular actress of the small screen, Mehazabien Chowdhury is set to grace the screens this Eid-ul-Fitr after a two-year absence from dramas.
Mehazabien, known for her versatility and captivating performances, took a break from the drama scene, only appearing in the acclaimed series ‘Ananya’ during her break.
Following the success of ‘Ananya’, which aired on December 16 and received widespread acclaim, Mehazabien expressed her eagerness to return to Eid dramas. Despite the absence of new projects during the past two Eids, fans continued to clamour for fresh content from the talented actress.
Mehazabien told media, “I haven’t worked on an Eid drama in the last two years. Although some older dramas were aired during Eid, audiences still yearn for new works. If everything goes as planned, I hope to feature in a drama this Eid-ul-Fitr.”
However, Mehazabien remains tight-lipped about the details of her upcoming project including its title, co-stars and director. “I was drawn to the story and my character in the drama. The script is currently under development, and shooting is expected to commence by the end of this month. Once production is underway, I’ll share more details.”
During her break from dramas, Mehazabien kept herself busy with OTT (Over-The-Top) projects, garnering acclaim for her performances in numerous web films and series.
Projects such as ‘Kajoler Dinratri’, ‘Neel Joler Kabyo’, ‘Sabrina’, and ‘Redrum’ showcased her versatility and acting prowess.
Speaking about her venture into OTT platforms, Mehazabien expressed her growing interest in the medium, citing compelling stories and higher production budgets as key factors. She told media in this regard, “My interest in working in these mediums has increased because of the diverse stories and higher budgets. When presented with a script featuring a unique storyline or a complex character, it often requires a larger budget for execution. In such cases, the budget of a traditional drama may not suffice, leading the project to be developed for cinema or OTT platforms.”